Anne of Green Gables, Chapter 28: Medievalism

In this episode, your host goes waaaaay back to explore the history of Medievalism!

Anne of Green Gables, Chapter 28: Medievalism

Did you enjoy this episode? Want to get your hands on more information? Check out our sources to learn more - especially those by our wonderful guest for this episode, Dr. Angie Fazekas!

FAZEKAS, ANGIE. “Alpha/Beta/Omega: Racialized Narratives and Fandom’s Investment in Whiteness.” In Fandom, Now in Color: A Collection of Voices, edited by RUKMINI PANDE, 95–108. University of Iowa Press, 2020. https://doi.org/10.2307/j.ctv193rr0q.12.

Fazekas, Angie, Dan Vena. “‘What Were We – Idiots?’: Re-evaluating Female Spectatorship and the New Horror Heroine with Catherine Hardwicke’s Twilight (2008)” Final Girls, Feminism, and Popular Culture, edited by Katarzyna Paszkiewicz & Stacy Rusnak. Palgrave MacMillan.

Fazekas, Angie. “Alpha, Beta, Omega: Racialized Narratives and Fandom’s Investment in Whiteness” Fandom, Now in Colour, edited by Rukmini Pande. Iowa City, University of Iowa Press.

Fazekas, Angie, Aarzoo Singh. “The Move to Innocence: Reframing Monstrosity in Colin Trevorrow’s Jurassic World (2022)”. Monsters and Monstrosity in Media, edited by Yeojin Kim & Shane Carreon. Vernon Press

BRYDEN, INGA. “All Dressed Up: Revivalism and the Fashion for Arthur in Victorian Culture.” Arthuriana 21, no. 2 (2011): 28–41. http://www.jstor.org/stable/23238239.

Parker, Joanne, and Corinna Wagner, eds. 2020. The Oxford Handbook of Victorian Medievalism. Oxford: Oxford University Press.

LEPINE, AYLA. “The Persistence of Medievalism: Kenneth Clark and the Gothic Revival.” Architectural History 57 (2014): 323–56. http://www.jstor.org/stable/43489753.

Bennett, Judith M. “Medievalism and Feminism.” Speculum 68, no. 2 (1993): 309–31. https://doi.org/10.2307/2864555.

Taylor, Beverly. “Browning and Victorian Medievalism.” Browning Institute Studies 8 (1980): 57–71. http://www.jstor.org/stable/25057685.

Saunders, Clare Broome. “‘Judge No More What Ladies Do’: Elizabeth Barrett Browning’s Active Medievalism, the Female Troubadour, and Joan of Arc.” Victorian Poetry 44, no. 4 (2006): 585–98. http://www.jstor.org/stable/40002707.

BENTLEY, D.M.R. “Dante Gabriel Rossetti’s ‘Absurd,’ Antiquarian, and ‘Modern-Antique’ Medievalism(s): ‘Girlhood of Mary Virgin, The Bride’s Prelude’, and ‘Stratton Water.’” Victorian Poetry 51, no. 1 (2013): 99–125. http://www.jstor.org/stable/43592643.

Hoff, James Dennis. “‘Ut Pictora Poesis’: Teaching ‘The Lady of Shalott’ and Victorian Visual Culture.” CEA Critic 77, no. 2 (2015): 223–39. https://www.jstor.org/stable/26574772.

Phillips, Catherine. “‘Charades from the Middle Ages’? Tennyson’s ‘Idylls of the King’ and the Chivalric Code.” Victorian Poetry 40, no. 3 (2002): 241–53. http://www.jstor.org/stable/40004328.

Gribble, Jennifer. 1983. The Lady of Shalott in the Victorian Novel. London: Macmillan.

MATTHEWS, DAVID. “FROM MEDIAEVAL TO MEDIAEVALISM: A NEW SEMANTIC HISTORY.” The Review of English Studies 62, no. 257 (2011): 695–715. http://www.jstor.org/stable/41410061.

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Anne of Green Gables, Chapter 29: The Great Exhibition

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Anne of Green Gables, Chapter 27: Hair dye