Anne of Green Gables, Chapter 28: Medievalism

In this episode, your host goes waaaaay back to explore the history of Medievalism!

Did you enjoy this episode? Want to get your hands on more information? Check out our sources to learn more - especially those by our wonderful guest for this episode, Dr. Angie Fazekas!

FAZEKAS, ANGIE. “Alpha/Beta/Omega: Racialized Narratives and Fandom’s Investment in Whiteness.” In Fandom, Now in Color: A Collection of Voices, edited by RUKMINI PANDE, 95–108. University of Iowa Press, 2020. https://doi.org/10.2307/j.ctv193rr0q.12.

Fazekas, Angie, Dan Vena. “‘What Were We – Idiots?’: Re-evaluating Female Spectatorship and the New Horror Heroine with Catherine Hardwicke’s Twilight (2008)” Final Girls, Feminism, and Popular Culture, edited by Katarzyna Paszkiewicz & Stacy Rusnak. Palgrave MacMillan.

Fazekas, Angie. “Alpha, Beta, Omega: Racialized Narratives and Fandom’s Investment in Whiteness” Fandom, Now in Colour, edited by Rukmini Pande. Iowa City, University of Iowa Press.

Fazekas, Angie, Aarzoo Singh. “The Move to Innocence: Reframing Monstrosity in Colin Trevorrow’s Jurassic World (2022)”. Monsters and Monstrosity in Media, edited by Yeojin Kim & Shane Carreon. Vernon Press

BRYDEN, INGA. “All Dressed Up: Revivalism and the Fashion for Arthur in Victorian Culture.” Arthuriana 21, no. 2 (2011): 28–41. http://www.jstor.org/stable/23238239.

Parker, Joanne, and Corinna Wagner, eds. 2020. The Oxford Handbook of Victorian Medievalism. Oxford: Oxford University Press.

LEPINE, AYLA. “The Persistence of Medievalism: Kenneth Clark and the Gothic Revival.” Architectural History 57 (2014): 323–56. http://www.jstor.org/stable/43489753.

Bennett, Judith M. “Medievalism and Feminism.” Speculum 68, no. 2 (1993): 309–31. https://doi.org/10.2307/2864555.

Taylor, Beverly. “Browning and Victorian Medievalism.” Browning Institute Studies 8 (1980): 57–71. http://www.jstor.org/stable/25057685.

Saunders, Clare Broome. “‘Judge No More What Ladies Do’: Elizabeth Barrett Browning’s Active Medievalism, the Female Troubadour, and Joan of Arc.” Victorian Poetry 44, no. 4 (2006): 585–98. http://www.jstor.org/stable/40002707.

BENTLEY, D.M.R. “Dante Gabriel Rossetti’s ‘Absurd,’ Antiquarian, and ‘Modern-Antique’ Medievalism(s): ‘Girlhood of Mary Virgin, The Bride’s Prelude’, and ‘Stratton Water.’” Victorian Poetry 51, no. 1 (2013): 99–125. http://www.jstor.org/stable/43592643.

Hoff, James Dennis. “‘Ut Pictora Poesis’: Teaching ‘The Lady of Shalott’ and Victorian Visual Culture.” CEA Critic 77, no. 2 (2015): 223–39. https://www.jstor.org/stable/26574772.

Phillips, Catherine. “‘Charades from the Middle Ages’? Tennyson’s ‘Idylls of the King’ and the Chivalric Code.” Victorian Poetry 40, no. 3 (2002): 241–53. http://www.jstor.org/stable/40004328.

Gribble, Jennifer. 1983. The Lady of Shalott in the Victorian Novel. London: Macmillan.

MATTHEWS, DAVID. “FROM MEDIAEVAL TO MEDIAEVALISM: A NEW SEMANTIC HISTORY.” The Review of English Studies 62, no. 257 (2011): 695–715. http://www.jstor.org/stable/41410061.